![]() And we do have that sometimes, where during the casting process, we have to drop people because there’s definitely a level of one to 10 of how bad a singer someone is. We have to be very careful that when we’re casting them - it’s going to sound a little odd - but that their voices are sufficiently bad. ![]() What are the challenges that come with casting bad voices? They work extremely hard, but they all enjoy it we have so many lovely letters and emails from secret voices after they’ve been on the show about what an incredible experience it was for them, so it’s a really rewarding thing. They’re going into the live studio setting in front of celebrities, and they have to be able to pull it off. ![]() There’s a fantastic team of vocal coaches and choreographers who work right up until the last minute because if you’re training somebody who’s not used to performing, it’s a big deal for them. We work with them extremely closely - the good singers as well as the bad singers. We’re constantly against the panelists and trying to trick them on some occasions, and then in other ways we have our Susan Boyle-type singer, who may not look like a performer but then has this incredible voice. You forget how many natural things people give off when they’re actually a performer, even from the way they walk to how they hold the microphone. It’s a real journey for them having to effectively fake that they’re a performer. What is the casting process like for the good and bad singers? audiences have loved, and it’s given us the human-interest angle as well in terms of the stakes of what you’re playing for. It’s really given us something that I think U.S. Something that Rob Wade wanted to do was to bring in the game-show element, so we added a contestant, and then we had to figure out how that part of the process would work in terms of the musical guest being in a slightly different role. In Europe, a lot of panel shows work very, very well, but they’ve never worked that well in the U.S. The Korean format is much more of a panel-based format, where the music star is the main focus and the panel is advising them throughout the show. The most significant element was that we wanted to create more of a game-show feel and create more stakes within the show. How did you adapt this Korean format for U.S. Carol Mendelsohn Inks First-Look Deal at Fox ![]()
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